This course offers an overview of key moments of Latin American cinema from the 1960s to the present. The examples are drawn from Brazil, Chile, Argentina, Bolivia, Mexico, and Cuba. We will examine landmark films and explore the relationship between socio-historic contexts of production and cinematic genres, styles, modes of production, and aesthetics. The first part of the course focuses on the “New Cinemas” of the 1960s and 1970s and the way in which filmmakers of that period attempted to address the lingering effects of colonialism and major problems of social justice through a cinema that was at once politically committed and experimental in form. In another section of the course, we will examine the cinema of Cuba and its evolving relationship with the Cuban Revolution—including the quest for a revolutionary cinema that followed from the 1959 overthrowing of the Batista regime. The final section of the course will look into the “New Cinemas” of the present, the wave of film production that started in 1990s in several countries and continues today. This recent wave includes transnational filmmakers like Alejandro González Iñarritu (Mexico) and Walter Salles (Brazil) and works that have garnered attention in the mainstream circuit as well as in international film festivals and the arthouse circuit.
Gustavo Furtado, firstname.lastname@example.org